Thursday, June 18, 2020

165. FELIX. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

Sydnee Devitt, James Staley.
FELIX [Drama/Family/Labor] A: Claude McNeal; D: Robert Mandel; S: Robert Mitchell; C: Juliellen Weiss; L: Arden Fingerhut; P: Ted Ravinett; T: Cherry Lane Theatre (OB); 1/17/74-1/20/74 (6)

Originally staged as a workshop piece at the Actors Studio, Felix, with a cast quite large for an Off-Broadway play, lasted less than a week once exposed to the critics. It was about the eponymous hero (Dick O’Neill), a man who, for 21 years, has served his trucking company like a faithful dog, believing implicitly in its concern for the welfare of its employees. However, he is ignominiously fired from his dispatcher’s job at age 47.

The play observes the debilitating effects of this crushing blow on a man who suddenly is aware of the emptiness of his most sacred ideals. Felix, watched always by a sociology doctoral student (James Staley) studying him for his thesis, gradually sinks into the morass of despair as his family life disingtegrates and he becomes a derelict.

Edith Oliver thought the playwright’s message “of no interest whatever,” but she praised his characters and ability at scene writing. Clive Barnes thought the writing uneven, liked the staging and O’Neill’s performance, but found the material insufficiently novel. Among the dozen cast members were Greg Antonacci, Ed Setrakian, and Sloane Shelton.