Thursday, June 18, 2020

167. FESTIVAL OF SHORT PLAYS. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975


Kenneth Tigar, Ann Sachs.
FESTIVAL OF SHORT PLAYS [One-Acts] S: Charles Cosler; C: Liz Covey; L: Edward M. Greenberg; P: American Place Theatre; T: American Place Theatre (OB); 3/6/74-3/30/74 (29)
“Shearwater” [Comedy/Sports] A: William Hauptman; “Cream Cheese” [Comedy/Labor] Lonnie Carter; D: Isaiah Sheffer; M: Bobby Paul, Lanny Meyers; “Dr. Kheal” [Solo] A/D: Maria Irene Fornes; “Love Scene” [Drama/Theatre] A: Robert Coover; D: Caymichael Patten

An evening of four one-acts that Clive Barnes considered “insufferable,” and that got little positive attention from his colleagues. Barnes thought “the best” on the bill, “Shearwater,” to be terrible, with the others far worse.

“Shearwater concerns a true incident, the apparent suicide of British sailor Donald Crowhurst, during a round-the-world race with one person to a craft. “Cream Cheese” purports to examine union problems in an 1899 Pittsburgh cream cheese factory; ragtime music accompanied the action. “Dr. Kheal” is a one-person (Andrew Jarkowsky) play featuring a professor presenting his vague, philosophical meanderings to the audience. And “Love Scene” shows an actor (Kenneth Tigar) and an actress (Ann Sachs) silently rehearsing a love scene to the offstage commands of a director.

Neither acting, directing, nor design were considered worthy of note.