Saturday, July 11, 2020

211 THE GRASS HARP. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975


Max Showalter, Ruth Ford, Russ Thacker, Barbara Cook, Carol Brice.
THE GRASS HARP [Musical/Business/Fantasy/Medical/Southern] B/LY: Kenward Emslie; M: Claibe Richardson; SC: Truman Capote’s novel, The Grass Harp; D: Ellis Rabb; CH: Rhoda Levine; S/L: James Tilton; C: Nancy Potts; P: Theatre 1972; T: Martin Beck Theatre; 11/2/71-11/6/71 (7)
 

A 1952 play version of Truman Capote’s 1951 novel, The Grass Harp, had a brief run but this musical adaptation, 20 years later, was gone much sooner. It was first produced by the Michigan University Professional Theatre Program in 1971. 

The whimsical story deals with a group of saccharine-sweet eccentrics--some of their names altered from Capote's--in the Deep South. One of them, Dolly Talbo (Barbara Cook), is a spinster who has possession of a miracle gypsy medicine for dropsy. When some of the others try to get her to release it for commercial production, Dolly and several buddies (Collin [Russ Thacker], a youth; Judge Cool [John Baragrey]; and Catherine Creek [Carol Brice], a black housekeeper) take to a tree house in a China tree. 

The conflict revolves around Dolly’s sister Verena (Ruth Ford) trying with the aid of Sheriff Amos Legrand (Harvey Vernon) to get them all put in jail. The resolution arrives with the antagonists coming around and accepting Dolly’s point of view.

Carol Brice, John Baragrey, Russ Thacker, Karen Morrow, Chrisrian Stabile, Barbara Cook, and children.
Aside from the TV critics, the reviewers were unable to pluck their strings happily for The Grass Harp. John Simon spurned it as “a sad, short, hard breathing and artificially breathless musical” in which “you sit there watching feyness pass for profundity, coyness for inventiveness and tartar sauce for bĂ©arnaise.” The show was too stickily sentimental for most and its characters too mushily good at heart. Its bland book and lyrics struck few sparks, although the music had redeeming qualities. Cook, Ford, Carol Brice as the housekeeper, and Karen Morrow as an evangelist called Babylove (played by Celeste Holm in the Michigan tryout), were in fine form, but the musical was too lethargic in conception and direction to stir up interest, and The Grass Harp's strings were silenced in a week.