Monday, August 3, 2020

260. IN THE DEEPEST PART OF SLEEP. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

Todd Davis, Michelle Shay, Mary Alice.

IN THE DEEPEST PART OF SLEEP [Drama/Family/Marriage/Mental Illness/Race/Sex] A: Charles Fuller; D: Israel Hicks; S/C: Mary Mease Warren; L: Susan Chapman; P: Negro Ensemble Company; T: St. Mark’s Playhouse (OB); 6/4/74-6/30/74 (32)

Note: this and several surrounding entries are slightly out of alphabetical order.

A promising early play by Black writer Charles Fuller, who won the 1982 Pulitzer Prize for his A Soldier’s Play. This four-character work tells of a Black family living in Philadelphia in the mid-1950s. The mentally unstable, frequently hysterical mother, Maybelle (Mary Alice), recently has come home from two years in an institution to her 17-year-old son, Reuben (Todd Davis), and second husband, Ashe (Charles Weldon). She keeps everyone on edge with her demands, including the attractive nurse, Lyla (Michele Shay), who looks after her.

Ashe refuses to have sex with his irritating wife, but he is tempted by the nurse, who becomes his mistress and gets pregnant by him. The adolescent son is also aroused by the nurse. With this setup, much of the play is occupied with the working out of Reuben's seduction of Lyla and his resulting feelings when she capitulates.

Edith Oliver described In the Deepest Part of Sleep as a successful evocation of atmosphere: “an atmosphere of sexual tension, stifling and ominous, of a household under stress.” John Simon saw it as an insightful look at a boy’s coming of age, but observed that “the play desperately needs a third act” to let the audience know what befalls the characters in consequence of their behavior. Mel Gussow, on the other hand, found only “several moments” of quality writing, judging that the rest “asks for too much indulgence” of its audience. He believed that Israel Hicks had misdirected in failing to emphasize its naturalistic style. Others, though, said the play was expertly staged and exceptionally well-acted, with particular praise for Michelle Shay.