Sunday, August 23, 2020

300. THE LAST ANALYSIS. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

Joseph Wiseman (center) and cast of The Last Analysis.

THE LAST ANALYSIS [Dramatic Revival] A: Saul Bellow; D: Theodore Mann; S: Marsha L. Eck; C: Joseph G. Aulisi; L: Roger Morgan; P: Circle in the Square; T: Circle in the Square (OB); 6/21/71-8/1/71 (46)

Director Theodore Mann attempted with this Off-Broadway revival to bring new life to a play that had failed quickly in its original 1964 Broadway production, although several critics argued it deserved another try. Saul Bellow’s reputation as a novelist had soared in the intervening years, but his name and the innate comedic qualities of his play were not enough to save it from Mann’s misdirected, miscast grasp at resuscitation. Bellow had made numerous helpful revisions. However, they could not compensate for the production’s drawbacks.

Clive Barnes happily responded to The Last Analysis as still being “one of the funniest comedies written during the last few years.” Nevertheless, John Simon wrote that its plot about the retired, old-time, standup Jewish comic Philip Bummidge (Joseph Wiseman)—a blend of Milton Berle, Jack Carter, and Buddy Hackett—and his preoccupation with Freudian self-analysis, was more telling for a 1964 audience than one seven years later. In the role misplayed by Sam Levene in the original, an even unfunnier portrayal came from Joseph Wiseman, a serious actor out of his depth in Bellow’s farcical circumstances.

Noteworthy cast members included Grayson Hall and David Margulies,