Roberta Maxwell, Christopher Walken. |
Nancy Marchand, Leo Leyden, Jack MacGowran. |
Ireland’s Easter Uprising of 1916 forms the background to
this major O’Casey work in which the vivid characters who live out their
pitiful lives in the shadow of the gunmen evoke “the sorrow and pity of
humanity’s folly,” as Harold Clurman observed.
Jack MacGowran, Kevin Conway, Leo Leyden, Sydney Walker, Lee Lawson. |
The Plough and the
Stars remained a potent poetic piece of tragicomic playwriting in this
so-so revival, but several critics were reluctant to place it on a
playwriting pedestal. “[I]t is not the granite stuff of great playwriting,”
declared Clive Barnes, who stated that despite the play’s considerable
activity, “nothing really happens.”
Pauline Flanagan, Jack MacGowran, Christopher Walken. |
Dan Sullivan’s mounting, combining the Lincoln Center company with several outsiders, pleased Brendan Gill with its “robust” energy, and Barnes thought it “stylishly produced and very decently done.” However, more critics believed the revival deficient in the dramatist’s poetic quality, and ineffectively acted. John Simon, who considered this O’Casey’s finest drama, saw only “flimsy stuff” onstage; he also reprimanded the actors for their phony brogues.
Christopher Walken’s Jack Clitheroe and Roberta Maxwell’s Nora
were especially hard hit by Simon’s remarks, although they fared a bit better
in other eyes. But the consensus was implied in Walter Kerr’s comment on the
cast: “They are so many puppies shaking lifeless rag dolls.”
Other important members of the cast included the renowned Irish actor Jack MacGowran as Fluther Good, Kevin Conway as Young Covey, Pauline Flanagan as Bessie Burgess, Philip Bosco as Cpl.Stoddart, Sydney Walker as Bartender, and Nancy Marchand as Mrs.Gogan.
Barnes,
summing up, wrote: “I liked the convincing presence of Kevin Conway as Covey,
and Pauline Flanagan and Nancy Marchand both excelled as the two older women. But
best of all was Jack MacGowran (Ireland's own pride and joy) as Fluther. Mr.
MacGowran prances with a graveyard reverence, and clowns with sadness. His
acting is a constant joy. But the play itself proves a more fitful experience.”