Wednesday, December 23, 2020

419. RAIN. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975


James Cahill, Madeleine Le Roux, Beeson Carrol.

RAIN [Dramatic Revival] A: John Colton [and Clemence Randolph, uncredited in this revival]; D: Michael Flanagan; S: Stuart Wurtzel; C: Raoul Pene du Bois; L: Barry Arnold; P: Bruce Mailman b/s/a/w Sheldon Abend; T: Astor Place Theatre (OB); 3/23/72-3/28/72 (7)

Madeleine Le Roux was an actress whose popularity stemmed from such Off-Broadway camp productions as The Dirtiest Show in Town, where she could flaunt her physical charms. In this revival of Rain, she played the once-sensational role of the repentant, heart-of-gold prostitute, Sadie Thompson. This lady with a past is stuck in a steaming South Seas hotel-store where she’s confronted by the righteous, but lustful, missionary Rev. Davidson (James Cahill), who wants her thrown off the island.You know the drill.

Sadie originated in Somerset Maugham’s story, “Miss Thompson,” was immortalized by Jeanne Eagles in the 1922 Broadway adaptation, and was later brought to the screen by Gloria Swanson (in a 1928 silent movie) and Rita Hayworth (1953, in flaming color), not to mention countless revivals in theatres everywhere. This particular attempt flopped but wasn't a total loss. Le Roux, however, lacked the acting chops, and failed to get much support from the cast (among them a young John Travolta as Pvt. Griggs) or an uninspired director. The company included Antonia Rey as Mrs. Horn, Beeson Carroll (remember him from "Mary Hartman, Mary Hartman"?) as Sgt. O’Hara, Patricia O’Connell as Mrs. Davidson, Bernie Passeltiner as Quartermaster Bates, among others.

Dated as it all seemed, however, it had a certain fascination. Clive Barnes observed, “It is an unusually awful play that time has overtaken and made not just funny—it is a sad practice just to laugh at the past— but also still strangely convincing. It has become a period piece like Tarzan or Rudolf Valentino.” Edith Oliver said she thought the revival while tepid, still better than expected.

This was a straightforward production, not hoked up for laughs, and provided with such zealously realistic rain effects that the seats near the stage were practically inundated.