The following precedes each entry,
"In Lieu of Reviews"
Around 40 years ago, I began a major project that eventuated in the
publication of my multivolume series, The Encyclopedia of the New York
Stage, each volume covering a decade. For some reason now lost to the sands
of time, I chose to start with the 1970s. After writing all the entries through
1975 and producing a typed manuscript of 1,038 pages my publisher (Greenwood)
and I decided it would be best to commence with the 1920s. So the 1970-1975 material
was put aside as I produced volumes for 1920-1930, 1930-1940, and 1940-1950.
With those concluded, Greenwood decided it was all too expensive and not
sufficiently profitable, so the remaining volumes were cancelled, leaving my
1970s entries in limbo.
To compensate, I used the research I’d done on the 1970s to write a
book for Greenwood called Ten Seasons: New York Theatre in the
Seventies, which described all aspects of that era’s theatre, onstage and
off. Many years later, in 2012, I began a postretirement “career” as a theatre
reviewer, which led to my creating this blog as an outlet for my reviews. Over
the past eight years or so I’ve posted nearly 1,600 reviews, a substantial
number having first appeared on other websites: Theater Pizzazz, The Broadway
Blog, and Theater Life.
Now, however, with the New York theatre in suspension, and my
reviewing completely halted, is probably the perfect time to post as many as
possible of the entries I prepared for the never-published 1970-1975 book. The
entries that follow are in alphabetical order. Each entry has a heading listing
the subject categories of the work described: the author (A), the director (D),
additional staging (ADD ST), when credited; the producer (P), the set designer
(S), the costume designer (C), the lighting designer (L), the source (SC), the
theatre (T), the dates of the run, and, in parentheses, the length of the run.
The original entries also contained the names of all the actors but I’ve
omitted those here.
I will try to post at least one entry daily. When time allows, I’ll
provide more. The manuscript exists on fading, fragile paper and, because no
digital files exist, must be retyped. Hopefully, the tragic health situation
we’re all enduring will abate before I get too far into posting these entries
but, for the time being, devoted theatre lovers may find reading these
materials informative.
Kathryn Walker, Laurence Luckinbill. |
ALPHA
BETA
[Drama/British/Marriage/Two Characters] A: E.A. Whitehead; D: John Berry; S:
David Chapman; L: David F.Segal; P: Max Brown and Robert Victor b/a/w the Royal
Court Theatre; T: Eastside Playhouse (OB): 5/3/73-5/13/73 (14)
A two-character, Strindbergian examination of the hell
that marriage can be whena couple is as mismatched as the one depicted here.
Over the course of a nine-year, two-child marriage,
Frank (Laurence Luckinbill) and Norma Elliott (Kathryn Walker) of Liverpool
move ever more gratingly close to the point where their separaton is
inevitable. The thick-witted Norma is pitted against the egotistic, adulterous
Frank in a cage-like relationship that his Roman Catholicism prevents from
ending in divorce.
Crammed with invective, and with searing and
emotionally disturbing dialogue, the drama was successful in its London
production starring Rachel Roberts and Albert Finney but could not find
critical approval in New York. Clive Barnes blamed its failure on the “slack”
direction, “drab” décor, and the charmless acting, with its inauthentic
Liverpudlian accents. John Simon also noted the poor accents but still found
Luckinbill “very impressive” and Walker “worth watching.”
Both Luckinbill and Walker married famous show business celebrities, his wife being Lucie Arnaz, her husband (from 185-1985) being singer James Taylor.
Both Luckinbill and Walker married famous show business celebrities, his wife being Lucie Arnaz, her husband (from 185-1985) being singer James Taylor.
Previous entries:
Abelard and
Heloise
Absurd Person
Singular
AC/DC
“Acrobats”
and “Line”
The Advertisement
Aesop’s Fables
Ain’t Supposed to
Die a Natural Death
Alice in
Wonderland
All God’s Chillun
Got Wings
All My Sons
All Over
All Over Town
All the Girls Came
Out to Play