Saturday, April 18, 2020

35. A BALLET BEHIND THE BRIDGE. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975


Gilbert Lewis, Lauren Jones.
"In Lieu of Reviews"


For background on how this previously unpublished series—introducing all mainstream New York shows between 1970 and 1975—came to be and its relationship to my three The Encyclopedia of the New York Stage volumes (covering every New York play, musical, revue, and revival between 1920 and 1950), please check the prefaces to any of the earlier entries beginning with the letter “A.” See the list at the end of the current entry.

A BALLET BEHIND THE BRIDGE [Drama/Family/Race/Trinidadian] A: Lennox Brown; D: Douglas Turner Ward; S: Edward Burbridge; C: Bernard Johnson; L: Jennifer Tipton; M: Joseph Brown; CH: Louis Johnson; P: Negro Ensemble Company; T: St. Marks Playhouse (OB); 3/7/72-4/16/72 (48)

The Negro Ensemble Company took a critical drubbing with this complex drama by West Indian dramatist Lennox Brown about a ghetto in the Port of Spain, Trinidad, called “Behind the Bridge,” where two black brothers diverge in their attitude toward racial conditions.

Joseph (David Downing) is headed for New York City to attend college on a scholarship. Mano (Gilbert Lewis) is a murderous militant who has just escaped from prison. Against a detailed background of numerous local character types, the brothers’ ideals are set in conflict—one with his guilt over the kowtowing to whites he must perform to gain an education; the other with his belief that only bloodshed can achieve social change.

Brown’s play, though well produced, suffered from stereotypical characterizations, “muddled” plotting, an unnecessary glorification of violence as a political means, “ill-conceived flashbacks” to the 15th century (Clive Barnes), formlessness, excessive sentimentality (Walter Kerr), and a great need for “editing and deflating” (Edith Oliver). But its language was strong and truthful and it possessed several excellent scenes.

Previous entries:

Abelard and Heloise
Absurd Person Singular
AC/DC
“Acrobats” and “Line”
The Advertisement/
All My Sons
All Over
All Over Town
All the Girls Came Out to Play
Alpha Beta
L’Amante Anglais         
Ambassador
American Gothics
Amphitryon
And Miss Reardon Drinks a Little       
And They Put Handcuffs on the Flowers
And Whose Little Boy Are You?
Anna K.
Anne of Green Gables
Antigone
Antiques
Any Resemblance to Persons Living or Dead
Applause
Ari
As You Like It
Augusta
The Au Pair Man
Baba Goya [Nourish the Beast]
The Ballad of Johnny Pot