Friday, April 17, 2020

34. THE BALLAD OF JOHNNY POT. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975


Barbara Brownell, Betty Buckley, John Bennett Perry.
 "In Lieu of Reviews"

 

For background on how this previously unpublished series—introducing all mainstream New York shows between 1970 and 1975—came to be and its relationship to my three The Encyclopedia of the New York Stage volumes (covering every New York play, musical, revue, and revival between 1920 and 1950), please check the prefaces to any of the earlier entries beginning with the letter “A.” See the list at the end of the current entry.

THE BALLAD OF JOHNNY POT [Musical/Drugs/Youth] B/LY: Carolyn Richter; M: Clinton Ballard; D: Joshua Shelley; CH: Hal Norman; S/L: Lloyd Burlingame; C: Alvin Colt; P: Wyler Productions and Bob McDevitt; T: Theatre Four (OB); 4/16/71-5/9/71 (16)

David Carradine was set to star in this doomed piece about a Johnny Appleseed character whose life’s mission is to go around planting marijuana seeds wherever he roams. Carradine was fired two days before the opening but he was no better off than the dreary show, which was knocked by Mel Gussow for its trite lyrics, derivative music, ugly set, and lackluster direction.

John Bennett Perry.
The plot line follows do-gooder John Pot (John Bennett Perry) as he roams about the country on his mission of making people happy with his gift of free pot seeds. After being jailed by the evil forces of the law he is freed by hippie friends and a sexy lady (Barbara Brownell). Also introduced are a sleazy journalist (Jim Weston) and Johnny’s wife (Betty Buckley), whom he married after getting her pregnant. As a crooked sheriff (Ben Bryant) and his men pursue him, Johnny heads for Canada but eventually changes his mind and decides to remain true to his mission in the U.S.A.

What Gussow labeled a “muddled and melodramatic” tale was bolstered by some 20 folk rock and pop numbers (in what Martin Gottfried called “a bewildering variety of styles”) but these did not save the show from being “very burdensome and confusing,” according to Richard Watts.

The only one of the players in this otherwise lost cause who went on to theatrical glory was Betty Buckley, seen in the above photo.

Previous entries:

Abelard and Heloise
Absurd Person Singular
AC/DC
“Acrobats” and “Line”
The Advertisement/
All My Sons
All Over
All Over Town
All the Girls Came Out to Play
Alpha Beta
L’Amante Anglais         
Ambassador
American Gothics
Amphitryon
And Miss Reardon Drinks a Little       
And They Put Handcuffs on the Flowers
And Whose Little Boy Are You?
Anna K.
Anne of Green Gables
Antigone
Antiques
Any Resemblance to Persons Living or Dead
Applause
Ari
As You Like It
Augusta
The Au Pair Man. 

Baba Goya [Nourish the Beast]