Sunday, July 19, 2020

224. HARK! From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

Dan Goggin, Elaine Petricoff, Danny Guerrero, Marvin Solley, (front) Jack Blackton, Sharon Miller.
HARK! [Revue] M: Dan Goggin and Marvin Solley; LY: Robert Lorick: D: Darwin Knight; S/L: Chenault Spence; C: Danny Morgan; P: Robert Lissauer; T: Mercer-O’Casey Theatre (OB); 5/22/72-10/1/72 (152)

An excellent, well-received show that demonstrated the effectiveness of a bookless musical completely set to music with a vague thematic throughline. The theme of Hark! Was a loose birth-to-death concept expressed in songs referring to things like youth, overpopulation, undertaking, sexuality, Vietnam, urban living, and so on. It was smoothly produced on a circular space, with considerable use of movement. Martin Gottfried would have liked more dancing and less stress on the need for the music to carry the show. Still, he was ecstatic about the “marvelous” music and the range of styles demonstrated.

Douglas Watt wished the theme might have been more imaginatively expressed, but felt the show’s “spring-like charm,” and commended its “brisk and disarming” lack of pretension. And Richard Watts smiled brightly at “a score that a more ambitious musical show could use to advantage.” Among the few negative responses was Edith Oliver’s, which claimed that “tolerable is the most that can be said” of Hark!

The six-member cast included Jack Blackton, Dan Goggin, Danny Guerrero, Sharon Miller, Elaine Petricoff, and Marvin Solley. Goggin’s name may be most familiar because he later created the internationally successful show Nunsense.