Saturday, December 26, 2020

422. RAISIN. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

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Joe Morton, Deborah Allen, and company.

RAISIN [Musical/Family/Race/Romance] B: Robert Nemiroff and Charlotte Zaltzberg; M: Judd Woldin; LY: Robert Brittan; SC: Lorraine Hansberry’s play A Raisin in the Sun; D/CH: Donald McKayle; S: Robert U. Taylor; C: Bernard Johnson; L: William Mintzer; P: Robert Nemiroff; T: Forty-ninth Street Theatre; 10/18/73-12/7/75 (847)

After debuting at Washington, D.C.’s Arena Stage, this musicalization of A Raisin in the Sun, Lorraine Hansberry’s epochal success of 1959, was brought to Broadway where it enjoyed a considerably long run. Like its original, it focused on the story of the Youngers, a Chicago Black family struggling to move up and out of its confinement in the ghetto into the promise of a middle-class life represented by a home in the white suburbs. The move precipitates unexpected racial tensions in the uptight new community, leading the Youngers to reassess their situation.  

Virginia Capers, Joe Morton, Ernestine Jackson.
The critical reception was varied, though largely favorable. Clive Barnes declared the book an improvement over Hansberry’s script, found the score lacking in “any considerable power and originality,” and was carried away by the direction, choreography, performances, and design. “The dance numbers rank among the best in years,” he claimed. Robert U. Taylor’s set was described by Barnes as “a tenement townscape that serves equally well as a background for ghetto, bar, chapel or house.” 

Walter Kerr loved the way the show had developed into a fluidly designed, composed, and staged adaptation of inventive and clever dimensions, but had his doubts about the lack of variety in the melodic line. He pointed to the effectiveness with which the intelligent staging made use of mimed props on a set devoid even of doors and windows.

Deborah Allen, Robert Jackson.

Harold Clurman sensed a weakening of the Hansberry play’s dramatic force. He also was cool to the undistinguished score and, in contrast to Barnes, considered dance numbers “not in the least remarkable.” Nor was he moved by the total effect of dressing up the play in the adornments of the musical form. He nonetheless admitted that he was never bored, noting that there was more here than afforded by the usual Broadway musical. John Simon likewise thought the snow unexceptional, finding little to rave about in its production facets while, like most others, being overwhelmed by the performers.

Ralph Carter.

Standouts were Virginia Capers as Lena Younger, the full-bodied Mama, who “was tremendous in just about every sense you can use the word,” wrote Barnes. Joe Morton as Walter Lee Younger provided “a splendid singing actor, supply shuttling between comedy and drama,” observed Simon. Ernestine Jackson scored as Ruth Younger, Simon noting that “Miss Jackson sings and acts exquisitely. . . . I have seldom seen such abidingly involved, highly concentrated yet unhistrionic humanity exuded so simply on stage, or anywhere else.” Ralph Carter, as the 10-year-old Travis, who stopped the show with one of his songs, was considered Broadway’s leading child star at the time. Deborah Allen as Beneatha, Robert Jackson as Joseph, and Helen Martin as a stereotyped neighbor, Mrs. Johnson, all made indelible impressions.

Among the 15 musical numbers were "Man Say," "Whose Little Angry Man," "Rnnnin' to Meet the Man," "Booze," "African Dance," "He Come Down This Morning," "It's a Deal," and "Measure the Valleys."

Loretta Abbott, Al Perryman.

Awards and nominations were abundant. Raisin won the Tony for Best Musical. Tony nominations went to Robert Nemiroff and Charlotte Zaltzberg for Best Book; Judd Woldin and Robert Brittan for Best Score; Donald McKayle for Best Director, Musical, and Best Choreographer; Ralph Carter for Best Supporting Actor, Musical; Ernestine Jackson for Best Supporting Actress, Musical; Virginia Capers for Best Actress, Musical; and Joe Morton for Best Actor, Musical. In addition, Morton, Jackson, and Carter nabbed Theatre World Awards.

Ralph Carter, Deborah Allen, Virginia Capers, Ernestine Jackson.