Wednesday, April 7, 2021

523. TERRACES. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

TERRACES [Comedy-Drama/Crime/Family/Marriage/Race/Romance] A: Steve Carter; D: Frances Foster; C: La Donna Harris; L: Sandra Ross; P: Negro Ensemble Company; T: St. Marks Playhouse (OB); 4/2/74-4/7/74 (8)

Note: no photos of this production are available.

Produced the NEC’s “Season-Within-a-Season” series of one-week runs, Terraces was a collection of four scenes set in a “pseudo-posh multi-terraced housing complex in the middle of Harlem, U.S. of A."  The setting is the only link between the parts. The actors each played at least two roles. The first three scenes are comic, the last a suspenseful melodrama, with all the characters, for whom the playwright has little but scorn, being Black and well-to-do.

In one scene, a young couple (Joyce Hanley and Rolan-lqad Sanchez) break off their engagement while examining an apartment; in another the audience witnesses the aftermath of a situation in which a husband (Robert Christian) finds his wife in bed with someone else when he comes home with friends for a surprise party; a third deals with an older couple (Mary Alice and Leon Morenzie) discussing the ingratitude of their now grown children; and the last is what Edith Oliver termed a “startling and hair-raising” episode about a wealthy family who ritually murder a derelict (Morenzie), at a birthday party, for being a disgrace to his race.

“Mr. Carter writes with a sharp pen and these dramatic anecdotes maintain the interest,” approved Clive Barnes. Oliver thought “the performances went very well indeed.”

Next up: That Championship Season.