Wednesday, April 14, 2021

530. THOUGHTS. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

E.H. Wright, Martha Flowers, Barbara Montgomery, Howard Porter. (Photo: Amnon Ben Nomis.) 
THOUGHTS [Musical/Race/Show Business/Southern] B/M/LY: Lamar Alford; ADD. LY: Megan Terry, Jose Tapia; D: Michael Schultz; CH: Jan Mickens; S: Stuart Wurtzel; C: Joseph Thomas; L: Ken Billington; P: Arthur Whitelaw, Seth Harrison, and Dallas Alinder; T: Theatre de Lys (OB); 3/19/73-4/6/73 (24)

Following an enthusiastic review from the Times for its Off-Off Broadway showing at La Mama E.T.C., Thoughts ventured forth as a regular Off-Broadway show, with the same cast, a month later. Once more Clive Barnes sang its praises, but neither his notice nor several other positive ones induced the public to keep the show alive.

Thoughts is a brief, simple, nostalgic, autobiographical account of a Black musician’s (Howard Porter) youth and developing maturity as the son of a poor Montgomery, Alabama, pastor. The boy is seen growing up in a series of vignettes with other local characters until he makes a success of himself in New York show biz.

Lamar Alford wrote the entire musical, except for some lyrics, and Barnes and others were generally mpressed. Thoughts is essentially bookless and tells its story through “gospel, country, and hard-rock rhythms,” wrote Walter Kerr. Barnes found the revelation of the musician’s travails surviving in a white world throbbing with “style, guts and compassion,” and he deemed the music “vibrantly and defiantly effective.” Kerr also saw much of value, but he was unenthusiastic about the work’s inconclusiveness, its lack of “emotional overtones,” and the incompletely realized characters.

Among the better-known players were Barbara Montgomery and Mary Alice.

Note: Michael Schultz restaged the show for Off Broadway, while the original director, Jan Mickens, took credit for its “musical staging.”

Next up: Three By Ferlinghetti