Thursday, May 28, 2020

126. DO IT AGAIN! From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

DO IT AGAIN!
 
Margaret Whiting, Clifton Davis.
"In Lieu of Reviews"

Reviews of live theatre being impossible during these days of the pandemic, THEATRE'S LEITER SIDE is pleased to provide instead accounts of previous theatre seasons--encompassing the years 1970-1975-for theatre-hungry readers. If you'd like to know the background on how this previously unpublished series came to be and what its relationship is to my three The Encyclopedia of the New York Stage volumes (covering every New York play, musical, revue, and revival between 1920 and 1950), please check the prefaces to any of the entries beginning with the letter “A.” See the list at the end of the current entry.

DO IT AGAIN! [Revue/Music] CN/D: Bert Convy; M: George Gershwin; LY: Ira Gershwin; L: Roger Morgan; P: Jay M. Fuchs, Stuart Duncan; T: Promenade Theatre (OB); 2/18/71-2/28/71 (14)

A misdirected, misconceived jukebox revue devoted to the songs of George and Ira Gershwin, presented in cabaret style, with shabby décor and inept staging. Critic after critic thought the show was overproduced, and that conceiver/director Bert Convy revealed his “distrust of the music,” as Jerry Tallmer put it, by his fussy, distracting mise-en-scene.

Too many of the 45 songs were jazzed up with irrelevant business and performed in unflattering arrangements. There was also a song by Arthur Schwartz that was included merely because its lyrics were by Ira Gershwin.

“The singers are kept so busy slipping in and out of the tall latticed panels that mask the rear wall, so occupied with ‘business’ and strolling about . . . that you wonder the songs get sung at all,” griped Douglas Watt.

The show boasted several strong singers, led by middle-aged Margaret Whiting, whose notices were mixed. “She is a very competent, businesslike performer,” wrote Julius Novick, “without elegance or lightness or zest. Tough, was the impression I got.” African-American singer Clifton Davis showed enough promise as the male lead to earn a Theatre World Award. The others involved were Susan Long, Marion Ramsey, and 15-year-old Robin Benson, a multitalented performer who later gained fame as Robby Benson.

Previous Entries:

Abelard and Heloise
Absurd Person Singular
AC/DC
“Acrobats” and “Line”
The Advertisement/
All My Sons
All Over
All Over Town
All the Girls Came Out to Play
Alpha Beta
L’Amante Anglais         
Ambassador
American Gothics
Amphitryon
And Miss Reardon Drinks a Little       
And They Put Handcuffs on the Flowers
And Whose Little Boy Are You?
Anna K.
Anne of Green Gables
Antigone
Antiques
Any Resemblance to Persons Living or Dead
Applause
Ari
As You Like It
Augusta
The Au Pair Man

Baba Goya [Nourish the Beast]
The Ballad of Johnny Pot
Barbary Shore
The Bar that Never Closes
The Basic Training of Pavlo Hummel
The Beauty Part
The Beggar’s Opera
Behold! Cometh the Vanderkellens
Be Kind to People Week
Berlin to Broadway with Kurt Weill
Bette Midler’s Clams on a Half-Shell Revue
Black Girl
Black Light Theatre of Prague
Black Picture Show
Black Sunlight
The Black Terror
Black Visions
Les Blancs
Blasts and Bravos: An Evening with H,L. Mencken
Blood
Bluebeard
Blue Boys
Bob and Ray—The Two and Only
Boesman and Lena
The Boy Who Came to Leave
Bread
A Breeze from the Gulf
Brief Lives
Brother Gorski
Brothers
Bullshot Crummond
Bunraku
The Burnt Flower Bed
Butley
Button, Button
Buy Bonds, Buster

The Cage
Camille
Candide (1)
Candide (2)
The Candyapple
Captain Brassbound’s Conversion
The Caretaker
La Carpa de los Raquichis
The Carpenters
The Castro Complex
Cat on a Hot Tin Roof
The Changing Room
Charles Abbott and Son
Charley’s Aunt
Charlie Was Here and Now He’s Gone
Chemin de Fer
The Cherry Orchard
The Chickencoop Chinaman
The Children
Children! Children!
Children in the Rain
Children of the Wind
The Children’s Mass
A Chorus Line
The Chronicle of Henry VI: Part 1, Part II,
The Circle
Clarence Darrow
Cold Feet
Conditions of Agreement
Coney Island Cycle
The Constant Wife
The Contractor
The Contrast
The Constant Wife
The Country Girl
Crazy Now
The Creation of the World and Other Business
Creeps
The Crucible
Crystal and Fox
Cyrano

Dames at Sea
The Dance of Death
Dance wi’Me/Dance with Me
A Day in the Life of Just about Everyone
Dear Nobody
Dear Oscar
The Desert Song
Diamond Studs
Different Times
The Dirtiest Show in Town
The Divorce of Judy and Jane