Monday, August 17, 2020

287. THE KILLDEER. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

 

Barbara Barrie, Ralph Waite.

THE KILLDEER [Drama/Alcoholism/Family/Marriage] A: Jay Broad; D: Melvin Bernhardt; S: Marjorie Kellogg; C: Theoni V. Aldredge; L: Jennifer Tipton; P: New York Shakespeare Festival; T: Public Theater/Estelle R. Newman Theater (OB); 3/12/74-4/21/74 (48)

Ralph Waite, Barbara Barrie, and company, with George Voscovec, standing right.

In The Killdeer, Ted (Ralph Waite) is a salesman, living in a typical suburban house, with his typically suburban family. High strung and bitter, bigoted and profane, he is suffering from numerous problems of middle age, including an excessive fondness for drinking.

The play, taking place one evening after he has returned from work, charts his gradual psychological disintegration. Along the way, Sparky (Barbara Barrie), his wife of 18 years; sons Huck (Timothy Nissen) and Spike (Michael-Raymond O’Keefe); several neighbors (including one played by George Voscovec); and Ted’s boss (William Bogert) are brought on. Some jokes, dirty and ethnic, are told; Sparky has an engrossing deadpan speech about her housewifely routine; and the actors often talk directly the audience in the otherwise naturalistic action.

The Killdeer was exceptionally well played, with Barrie—who won an OBIE for Distinguished Performance—garnering highest honors as the wife, but there was little interest in what Clive Barnes called the “slick mediocrity” of what was considered a banal and unenlightening look at contemporary suburbanites. “[T]he terrible plainness of it all” irked Walter Kerr, while John Simon, noting that “Broad writes like the star pupil in a prototypical playwriting course,” went on to cite all the playwright’s particularly obvious choices. He concluded that the problem lay in there being “no surprises whatever.” All the people, situations, and dialogue were overly familiar and not provided with any new insights.