Monday, September 7, 2020

330. LOVERS. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975

Gary Sneed, Reathel Bean, Martin Rivera, Michael Cascone, John Ingle, Robert Sevra.

LOVERS [Musical/Homosexuality] B/LY: Peter del Valle; M: Steve Sterne; D: Paul Sullivan; P: Phillip-Geraci and Michael Brown; T: Players Theatre (OB); 1/27/75-5/11/75 (119)

Gay themes abounded in 1970s shows, sometimes subtly, sometimes blatantly. Writers were tapping into a hitherto underground subject and were unsure just how far to go with it. Lovers was a musical of the blatant sort, appealing primarily to gay audiences with a cavalcade of in-jokes and references. In it, the middle-class virtues of a strong and lasting relationship between partners was espoused, and little respect was shown for gay promiscuity.

John Ingle, Robert Sevra, Martin Rivera, Gary Sneed, Michael Cascone.

Not strong on plot, Lovers circled around three homosexual couplings, none more than stereotypes, and their emotional affairs. John Simon described them as “lower-class, middle-class, and S&M class.” One couple is Freddie (Martin Rivera) and Eddie (Michael Cascone), young, effeminate, and campy; another is the less obvious one of an older man, Spencer (Reathel Bean), a professor, and, George (Gary Sneed), his lover of 20 years, formerly his student; and the third, Dave (Richard Ryder, succeeded by Robert Sevra) and Harry (John Ingle), is into leather and belts. They each express their problems and pleasures in song, and the material, noted Clive Barnes, is “frank and often dirty.” He called the show “a good-natured romp,” with not unduly distinguished music, but Simon thought it a “mildly unimaginative work.”