Thursday, July 30, 2020

252. I LOVE THEE FREELY. From my (unpublished) ENCYCLOPEDIA OF THE NEW YORK STAGE, 1970-1975


Janet Kapral, Gregory Abels.
I LOVE THEE FREELY [Drama/Biographical/Literature/Romance/Two Characters] A: Benjamin Bernard Zavin; SC: works of Robert and Elizabeth Barrett Browning; D: Moni Yakim; S/C: Don Jensen; L: Ian Calderon; P: The Candlelight Company; T: Astor Place Theatre (OB); 9/17/73-10/7/73 (23)

A documentary dramatization of the famed love affair of 19th-century British poets Robert Browning and Elizabeth Barrett, as expressed through a performance of their love letters. Clive Barnes summed it up as “A quiet and unsurprising evening, full of good taste, good sense, but lacking in dramatic substance.”

The acting—by Gregory Abels and Janet Kapral—was acceptable, the sets attractive, and the characters “interesting.” However, the effect, for Barnes, was “predictable” and with “more charm than depth.” Richard Watts felt it was “entirely without dramatic interest and suspense,” and Dick Brukenfeld wrote that it was “the kind of experience that drives people away from theatre.”

Several critics noted that they would much have preferred to see the established theatrical treatment of the love affair, the once popular, 1930 period drama The Barretts of Wimpole Street by Rudolf Bessier. In that somewhat musty drama they at least could have appreciated the character of the poetess’s tyrannical father, who is completely absent from the letters.